Notes on the weird – China Mieville

I resent the way that a certain notion of parsimony has become the norm for skilful literary writing. My problem is that adjectives like “spare” raise so many questions. Why should sparseness in and of itself be a desideratum? I think there’s something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.

China Mieville

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