Notes on the weird – Ramsey Campbell

To an extent [Lovecraft’s] reputation is the victim of his mythos. It was conceived as an antidote to conventional Victorian occultism — as an attempt to reclaim the imaginative appeal of the unknown — and is only one of many ways his tales suggest worse, or greater, than they show. It is also just one of his means of reaching for a sense of wonder, the aim that produces the visionary horror of his finest work (by no means all of it belonging to the mythos). His stories represent a search for the perfect form for the weird tale, a process in which he tried out all the forms and all the styles of prose he could.

Ramsey Campbell


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